5578
Scarf

Extraordinary.
A light mixture of silk and superfine stainless steel web. The fine, soft silk fabric is woven in an even plain weave and is similar to a Pongé 08 in its strength. A very fine stainless steel thread is woven-in in short distances weft-wise, in order to create a discreet stripe look.
It is this high-quality metallic addition, which adds the unbeatable shine of the fabric and gives it the ability to hold real permanent plissées and durable crash looks. The stainless steel component almost has a memory for folds. The metallic shimmering shine, the large luminance of the coloring, the playfully light moldability and the wonderful drapery ability make the Silk Metallic into a little sensation.

Extraordinary.
A light mixture of silk and superfine stainless steel web. The fine, soft silk fabric is woven in an even plain weave and is similar to a Pongé 08 in its strength. A very fine stainless steel thread is woven-in in short distances weft-wise, in order to create a discreet stripe look.
It is this high-quality metallic addition, which adds the unbeatable shine of the fabric and gives it the ability to hold real permanent plissées and durable crash looks. The stainless steel component almost has a memory for folds. The metallic shimmering shine, the large luminance of the coloring, the playfully light moldability and the wonderful drapery ability make the Silk Metallic into a little sensation.

Precious metal - chameleon.
The animal was painted onto stretched silk, using hot wax and a large brush. The silk stays white in the reserved areas, the surrounding areas were filled in with steam-fixable paint.
Shades of grey fit especially well with this special silk mixture.

Despite the thin fibres of stainless steel the scarf is pleasant to wear and does not scratch even delicate skin.

Subtle shades due to wax technique: This scarf was clamped on the frame and painted in various harmonious pastel shades. When it had dried paint liquid wax lengthwise with a big brush amply with streight strokes. Afterwards a second painting with more intensive colours creates wonderful shades and the typical edges of the wax. After the second layer of colour has dried completely the wax was ironed off, the scarf fixed and the rests of the wax removed at the dry-cleaner.

Autumn glow.
Subtle shades of color in the wax technique: This scarf was stretched and painted with different harmonizing pastel colors. After drying, the liquid wax was wholly painted on using a large brush, stroking lengthwise.
Afterward, a second more intensive layer creates wonderful shades and the typical dry edges. After the second paint layer has fully dried, the wax was ironed out, the scarf was fixed and the rest amounts of wax were removed during dry-cleaning.

Autumn glow.
Subtle shades of color in the wax technique: This scarf was stretched and painted with different harmonizing pastel colors. After drying, the liquid wax was wholly painted on using a large brush, stroking lengthwise.
Afterward, a second more intensive layer creates wonderful shades and the typical dry edges. After the second paint layer has fully dried, the wax was ironed out, the scarf was fixed and the rest amounts of wax were removed during dry-cleaning.

This scarf was painted with uncoloured gutta and silk paint for steam fixing. The unique lustre of this exceptional silk displays the colours especially brilliantly.

This scarf was painted with uncoloured gutta and silk paint for steam fixing. The unique lustre of this exceptional silk displays the colours especially brilliantly.

This scarf was painted with uncoloured gutta and silk paint for steam fixing. The unique lustre of this exceptional silk displays the colours especially brilliantly.